A Monumental Stone Tribute


At the southernmost tip of Roosevelt Island, tens of thousands of tons of Mount Airy granite — supplied by North Carolina Granite Corp. of Mount Airy, NC — form the memorial. Photo Credit: Franklin D. Roosevelt for Freedoms Park, © Paul Warchol
Following the Conceptual Design
Plans for Kahn’s Four Freedoms Park were very thorough, with a distinct conceptual design that embraces two primordial elements: the garden and the room. “The garden represents mankind’s influence over nature, and the room, for Kahn, is the beginning of architecture,” said Paul Broches, FAIA and Partner in Charge at Mitchell/Giurgola.
Text from FDR’s Four Freedoms speech delivered to Congress on January 6, 1941 — which highlighted the Four Freedoms: Freedom of Speech and Expression, Freedom of Worship, Freedom from Want and Freedom from Fear — is carved into a pair of 6- x 6- x 12-inch-high granite columns, which also form the backdrop of the sculpture. Photo Credit: Franklin D. Roosevelt for Freedoms Park, © Iwan Baan

“The Room is actually an open 72-foot square plaza surrounded by 28 freestanding granite columns, each weighing 36 tons separated from the next by a 1-inch gap,” said Broches. Placing the columns only 1-inch apart was one of the most challenging aspects of the project. Photo Credit: Franklin D. Roosevelt for Freedoms Park, © Iwan Baan
Overcoming Challenges
The firm faced a handful of challenges due to natural forces, structural issues, climate changes, and precision when constructing the park and reviving the original designs. “The 35-year hiatus between original concept and commencement of construction was filled with frequent attempts to start up, raise funds, and gather political support,” said Broches. Since Four Freedoms Park is located at the very southern tip of Roosevelt Island, the entire park is vulnerable to potentially enormous storm impacts. In 2012, the first year of the park’s completion, it was blasted by Hurricane Sandy, but was undamaged. “Not a single one of the 120 little leaf Lindens was out of alignment,” said Broches. Another challenge dealt with the structuring of certain aspects of the memorial, such as the foundations and setting of stone. “The Room is an open square plaza surrounded by 28 freestanding granite columns, each weighing 36 tons, separated from the next by a 1-inch gap,” noted Mitchell/Giurgola Architects partner John Kurtz, AIA, site architect of the project. “Of particular concern — and of considerable challenge to engineers Weidlinger and Associates and Langan Engineers — was the design of the foundations to support the enormous gravity load and aggressive lateral wind and water forces.” To resolve the problem, the foundation structure was modified to make it more robust, constructed of granite blocks that were laid horizontally, replacing a concrete base that was to be faced with granite. “Foundation caissons to counter lateral forces and 1-inch diameter stainless steel tie downs were introduced into the columns to restrain against overturning,” said Kurtz. “None of this extensive reinforcement is visible.” Related to the structural challenges were the climate challenges presented by the sea level of the East River. “Due to the rising sea level experienced between 1973 and today, the elevation of the entire project had to be raised. There was a conflict between the desire to respect the rising sea level, but also to preserve the experience of visitors and bring them very close to the water,” said Kurtz.
Lastly, Mitchell/Giurgola was faced with ensuring that contractors adhered to the precision of Kahn’s design. “The Kahn design inspired everyone on the project, from stone masons to crane operators, with the precision with which every construction activity had to be carried out.” said Kurtz. The finish on the stone was specified by Kahn to be “saw cut,” i.e., no further work on the surface after the saw passed through it, which was challenging on multiple fronts. “If any damage occurred during any of these steps, that stone risked being rejected, even if it weighed 36 tons,” Kurtz continued. “The real mastery of Kahn’s vision only emerged as construction progressed,” remarked Gina Pollara, former Four Freedoms Park Executive Director. “The work is a study in scale and relativity: dimension and shape shifts as one moves through the site. The perception of distance expands and contracts.” While Mitchell/Giurgola Architects were confronted by enormous challenges, they were able to carry out Kahn’s original vision. “We were loyal to the original design, and Kahn was so sure about what he wanted to do; nevertheless, he left some unresolved details that required extraordinary care to fill in the blanks by all members of the project team.”
In total, there were 261,000 4-inch hand-placed cobblestone cubes installed throughout the Park, and approximately 10,000 square feet of complex angled embankment stones that vary in size.



